000 02235nam a2200265 i 4500
003 MIUC
005 20191025094428.0
008 160927s2007 nyua 001 | eng
020 _a9780500284872
020 _a0500284873
040 _aMIUC
_beng
_cMIUC
082 0 _a777
100 1 _92451
_aRush, Michael
245 1 0 _aVideo art /
_cMichael Rush.
250 _aRev. ed.
260 _aNew York :
_bThames & Hudson,
_c2007.
300 _a256 p. :
_bill. col. ;
_c28 cm.
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction -- Ch. 1. Shaping a history -- Ch. 2. Video and the conceptual body -- Ch. 3. Video and the new narrative -- Ch. 4. Extensions -- Ch. 5. Global groove to fully global.
520 _aThe most complete and up-to-date overview available of an art form born some forty years ago and now ubiquitous internationally. Video art has moved from brief showings on tiny screens in alternative art spaces to dominance in international exhibitions and artistic events, in which vast video installations sometimes occupy factory-sized buildings or video projections take over the walls of an entire city block. It embraces all the significant art ideas and forms of recent times – from Abstract, Conceptual, Minimal, Performance, and Pop to photography and film. Abundantly illustrated with frames and sequences, this updated edition offers a history of the medium from its early practitioners, such as Bruce Nauman and Vito Acconci, who used the video camera as an extension of their own bodies, through the vast array of conceptual, political, personal, and lyrical installations of the 1980s and 1990s by Gary Hill, Bill Viola, Inigo Manglano-Ovalle, Mary Lucier, Michal Rovner, and others up to the present day. A new chapter, "Video Ascending," explores the recent use of video in what might be called "the new cinematics" not only multi-screen installations mixing sound and visuals but also immersive environments, including Virtual Reality, and alternative sculpture that combines solid forms with moving images.
650 0 _92452
_aVideo art
650 0 _92453
_aArt, Modern
_y20th century
650 0 _92453
_aArt, Modern
_y21st century
942 _2ddc
_cBK