| 000 | 01348nam a2200229 i 4500 | ||
|---|---|---|---|
| 003 | MIUC | ||
| 005 | 20191007075755.0 | ||
| 008 | 160531t2011 enk b 001 0 eng | ||
| 020 | _a1904764541 | ||
| 040 |
_aMIUC _beng _cMIUC |
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| 082 | 0 | _a791.43658 | |
| 100 | 1 |
_92251 _aWestwell, Guy |
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| 245 | 1 | 0 |
_aWar cinema : _bHollywood on the front line / _cGuy Westwell. |
| 260 |
_aLondon ; _aNew York : _bWallflower, _c2006. |
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| 300 |
_a133 p. : _bill. ports b&w ; _c20 cm. |
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| 490 | 0 | _aShort cuts | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction -- Early war cinema, 1898-1930 -- World war two on film, 1930-1961 -- Hollywood's Vietnam, 1961-1989 -- Contemporary war cinema, 1989-2006. | |
| 520 | _aWar Cinema: Hollywood on the Front Line is an introduction to and overview of the Hollywood war movie, a linchpin in American cultural imagination. The volume considers the history of this genre, one of continuing significance, from All Quiet on the Western Front (1930) to We Were Soldiers (2002). Guy Westwell focuses in particular on representations of the Vietnam War (Apocalypse Now [1979], Rambo [1985] and Platoon [1986]) and the more recent return to and reexamination of the Second World War (Saving Private Ryan [1998]). | ||
| 650 | 0 |
_92126 _aWar films _xHistory _zUnited States |
|
| 942 |
_2ddc _cBK |
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