000 04816nam a2200265 i 4500
003 MIUC
005 20191004142748.0
008 160531t2012 nyu b 001 0 eng
020 _a9780415771306
_q(hbk)
020 _a9780415771313
_q(pbk)
040 _aMIUC
_beng
_cMIUC
082 0 _a621.389
245 0 4 _aThe sound studies reader /
_cedited by Jonathan Sterne.
260 _aNew York ;
_aLondon :
_bRoutledge,
_c2012.
300 _ax, 566 p. ;
_c26 cm.
504 _aIncludes bibliographical references and index.
505 0 0 _gCh. 1.
_t1. Sonic Imaginations /
_rJonathan Sterne --
_gPt. 1.
_tHearing, Listening, Deafness Introduction --
_gCh. 2.
_tThe Auditory Dimension /
_rDon Ihde --
_gCh. 3.
_t Noise: The Political Economy of Music /
_rJacques Attali --
_gCh. 4.
_tContradicting Media: Toward a Political Phenomenology of Listening /
_rJody Berland --
_gCh. 5.
_tThe Three Listening Modes /
_rMichel Chion --
_gCh. 6.
_tCassette Sermons, Aural Modernities and the Islamic Revival in Cairo /
_rCharles Hirschkind --
_gCh. 7.
_tThe Ontology of Vibrational Force /
_rSteve Goodman --
_gCh. 8.
_t Hearing Aids and the History of Electronics Miniaturization /
_rMara Mills --
_gCh. 9.
_tFollowing You: Disciplines of Listening in Social Media /
_rKate Crawford --
_gPt. 2.
_tSpaces, Sites, Scapes --
_gCh. 10.
_tThe Soundscape /
_rR. Murray Schafer --
_gCh. 11.
_t The Walkman Effect /
_rShuhei Hosokawa --
_gCh. 12.
_tSound, Modernity and History /
_rEmily Thompson --
_gCh. 13.
_tNo Corner for the Devil to Hide /
_rRichard Cullen Rath --
_gCh. 14.
_t The Soundproof Study /
_rJohn Picker --
_gCh. 15.
_tListening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound /
_rKarin Bijsterveld --
_gCh. 16.
_tAnthropologist Underwater: Immersive Soundscapes, Submarine Cyborgs and Transductive Ethnography /
_rStefan Helmreich --
_gCh. 17.
_t Auditory Awareness as an Extension of Religion /
_rBarry Blesser and Linda-Ruth Salter --
_gCh. 18.
_tThe Audio-Visual iPod /
_rMichael Bull --
_gPt. 3.
_tTransduce and Record --
_gCh. 19.
_tThe Sound of Music in the Era of Its Electronic Reproducibility /
_rJohn Mowitt --
_gCh. 20.
_tFour and a Half Film Fallacies /
_rRick Altman --
_gCh. 21.
_tGramophone /
_rFriedrich Kittler --
_gCh. 22.
_tFidelity Versus Intelligibility /
_rJames Lastra --
_gCh. 23.
_tShaping the Synthesizer /
_rTrevor Pinch and Frank Trocco --
_gCh. 24.
_tThe Recording Studio as Fetish /
_rLouise Meintjes --
_gCh. 25.
_tNew Media Publics /
_rLisa Gitelman --
_gCh. 26.
_tDeadness: Technologies of the Intermundane /
_rJason Stanyek and Benjamin Piekut --
_gPt. 4.
_tCollectivities and Couplings --
_gCh. 27.
_tThis is the Voice of Algeria /
_rFrantz Fanon --
_gCh. 28.
_tThe Culture of the Telephone /
_rMichale Martin --
_gCh. 29.
_tRadiating Culture /
_rMichelle Hilmes --
_gCh. 30.
_tReach Out Someone: the Telephonic Uncanny /
_rJohn Durham Peters --
_gCh. 31.
_tCellular Disability: Consumption, Design and Access /
_rGerard Goggin --
_gCh. 32.
_tSocial Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America /
_rAna María Ochoa Gautier --
_gPt. 5.
_tThe Sonic Arts: Aesthetics, Experience, Interpretation --
_gCh. 33.
_tDesire, Power and the Sonorous Landscape /
_rRichard Leppert --
_gCh. 34.
_t Science, Technology and the Avant-Garde /
_rGeorgina Born --
_gCh. 35.
_tNoises of the Avant-Garde /
_rDouglas Kahn --
_gCh. 36.
_tOperating System for the Redesign of Sonic Reality /
_rKodwo Eshun.
_gCh. 37.
_tStarship Africa /
_rMichael Veal --
_gCh. 38.
_tAuditory Relations /
_rBrandon LaBelle --
_gCh. 39.
_tToward a Feminist Historiography of Electronic Music /
_rTara Rodgers --
_gPt. 6. Voice --
_gCh. 40.
_t The Voice the Keeps Silence /
_rJacques Derrida --
_gCh. 41.
_tThe Grain of the Voice /
_rRoland Barthes --
_gCh. 42.
_t"Feenin": Posthuman Voices in Contemporary Black Popular Music /
_rAlexander Weheliye --
_gCh. 43.
_tMultiple Voices /
_rAdriana Cavarero --
_gCh. 44.
_tThe Frenzy of the Audible: Pleasure, Authenticity and Recorded Laughter /
_rJacob Smith --
_gCh. 45.
_tThe Linguistics of the Voice /
_rMladen Dolar.
520 _aThe Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field.
650 0 _92247
_aSound
_xRecording and reproducing
_xHistory
650 0 _92247
_aSound
_xRecording and reproducing
_xSocial aspects
650 0 _92248
_aHearing
650 0 _92249
_aListening
700 1 _4edt
_92246
_aSterne, Jonathan,
_d1970-
942 _2ddc
_cBK