000 03626nam a2200229 i 4500
003 MIUC
005 20190917134110.0
008 060530s2006 nyu b 001 0 eng
020 _a9780415367790
_q(hbk)
020 _a9780415367806
_q(pbk)
040 _aMIUC
_beng
_cMIUC
082 0 _a791.43658
245 0 0 _aHollywood and war :
_bthe film reader /
_cedited by J. David Slocum.
260 _aNew York ;
_aLondon :
_bRoutledge,
_c2006.
300 _aix, 372 p. ;
_c24 cm.
490 0 _aIn focus
504 _aIncludes bibliographical references and index.
505 0 _tGeneral Introduction: Seeing Through American War Cinema /
_rJ. David Slocum --
_gCh. 1.
_tWar films /
_rSteve Neale --
_gPt. 1.
_tWar as a way of seeing --
_gCh. 2.
_tWar, film, history: American Images of "real war," 1890-1925 /
_rGeoffrey Klingsporn --
_gCh. 3.
_tA Travelling Shot over Eighty Years /
_rPaul Virilio --
_gCh. 4.
_tExperiences of Modern Warfare and the Crisis of Representation /
_rBernd Huppauf --
_gCh. 5.
_tWar as a Way of Seeing /
_rGeorge H. Roeder, Jr. --
_gCh. 6.
_t'Make My Day!': Spectacle as Amnesia in Imperial Politics /
_rMichael Rogin --
_gCh. 7.
_t Passions of the Real, Passions of Semblance? /
_rSlavoj Zizek --
_gPt. 2.
_tEarly Formations of War Cinema in the United States --
_gCh. 8.
_tThe Spanish-American War in United States Media Culture /
_rJames Castonguay --
_gCh. 9.
_tThe United States Film Industry and World War One /
_rLeslie Midkiff DeBauche --
_gCh. 10.
_tWar on Film: The American Cinema and World War I, 1914-1941 /
_rMichael Isenberg --
_gCh. 11.
_t War and Cinema: Interpreting the Relationship /
_rPierre Sorlin --
_gPt. 3.
_tThe Apotheosis of the Hollywood War Film --
_gCh. 12.
_tWorld War II and the Hollywood 'War Film' /
_rThomas Schatz --
_gCh. 13.
_tLeni Reifenstahl's Contribution to the American War Effort /
_rThomas Doherty --
_gCh. 14.
_tWill this Picture Help to Win the War? /
_rClayton R. Koppes and Gregory D. Black --
_gCh. 15.
_tThe World War II Combat Film: Definition /
_rJeanine Basinger.
_gCh. 16.
_tHollywood and the World War II Conversion Narrative /
_rLary May --
_gPt. 4.
_tShadows of ambivalence --
_gCh. 17.
_tAll Quiet on the Western Front (U.S., 1930): The Antiwar Film and the Modern Image of War? /
_rJohn Whiteclay Chambers II --
_gCh. 18.
_tMissing Action: POW Films, Brainwashing and the Korean War, 1954-1968 /
_rCharles Young.
_gCh. 19.
_tFilm and the War: Representing Vietnam /
_rDavid E. James --
_gCh. 20.
_tVietnam and the New Militarism /
_rMichael Ryan and Douglas Kellner --
_gCh. 21.
_tRace and Nation in Glory /
_rRobert Burgoyne --
_gPt. 5.
_tHollywood and War: Contemporary Formations --
_gCh. 22.
_t Techno-Muscularity and the 'Boy Eternal': From the Quagmire to the Gulf /
_rLynda Boose --
_gCh. 23.
_tSeriously Spectacular: 'Authenticity' and 'Art' in the War Epic /
_rGeoff King --
_gCh. 24.
_tThe Gulf War Did Not Take Place /
_rJean Baudrillard --
_gCh. 25.
_tIn the Combat Zone /
_rMarilyn Young --
_gCh. 26.
_tA Cultural History of War Without End /
_rMelani McAlister.
520 _aHollywood and War provides analyses of some of the most important productions constituting the war film genre, and pays particular attention to how the constituent elements of that genre emerged and have been continually reproduced and recast from the Spanish-American War, World War I, and World War II, through the Korean War and Vietnam to conflicts in the Gulf and the current war against terrorism. Hollywood and War also discusses the complex institutional relations between Hollywood and the U.S. military, government, and American society.
700 1 _4edt
_92173
_aSlocum, J. David
_q(John David)
942 _2ddc
_cBK