000			04420nam a2200265 i 4500
003			MIUC
005			20190704103809.0
008			160525t2006 ne b 001 0 eng
020			_a9789053569443
020			_a9053569448
040			_aMIUC _beng _cMIUC
082	0		_a791.4309
245	0	4	_aThe cinema of attractions reloaded / _cedited by Wanda Strauven.
260			_aAmsterdam : _bAmsterdam University Press, _c2006.
300			_a460 p. : _c25 cm.
490	0		_aFilm culture in transition
504			_aIncludes bibliographical reference and index.
505	0	0	_tIntroduction to an Attractive Concept / _rWanda Strauven -- _tTheory formation ["The Cinema of Attractions"] -- _tAttractions: How They Came into the World / _rTom Gunning -- _t A Rational Reconstruction of "The Cinema of Attractions" / _rWarren Buckland -- _tThe Cinema of Attractions as Dispositif / _rFrank Kessler -- _tSpectacle, Attractions and Visual Pleasure / _rScott Bukatman -- _tAttraction theories and terminologies ["Early Film"] -- _tFrom "Primitive Cinema" to "Kine-Attractography" / _rAndré Gaudreault -- _tFrom "Primitive Cinema" to "Marvelous" / _rWanda Strauven -- _tThe Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / _rViva Paci -- _tRhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / _rLaurent Guido -- _tAudiences and attractions ["Its Spectator"] -- _tA Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / _rCharles Musser -- _tThe Lecturer and the Attraction / _rGermain Lacasse -- _tIntegrated Attractions: Style and Spectatorship in Transitional Cinema / _rCharlie Keil -- _tDiscipline through Diegesis: The Rube Film between "Attraction" and "Narrative Integration" / _rThomas Elsaesser -- _tAttraction practices through history [“The Avant-Garde": section 1] -- _tCircularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / _rNicolas Dulac and André Gaudreault -- _tLumière, the Train and the Avant-Garde / _rChrista Blümlinger. _tProgramming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / _rMalte Hagener -- _tThe Associational Attractions of the Musical / _rPierre-Emmanuel Jaques -- _tDigital media and (un)tamed attractions ["The Avant-Garde": section 2] -- _tChez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / _rAlison McMahan -- _tThe Hollywood Cobweb: New Laws of Attraction / _rDick Tomasovic -- _tFigures of Sensation: Between Still and Moving Images / _rEivind Rossaak. _t"Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / _rVivian Sobchack -- _tDossier -- _tPie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / _rDonald Crafton -- _tEarly Cinema as a Challenge to Film History / _rAndre Gaudreault and Tom Gunning -- _tThe Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / _rTom Gunning -- _tRethinking Early Cinema: Cinema of Attractions and Narrativity / _rCharles Musser.
520			_aTwenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars – and featuring contributions by Gunning and Gaudreault as well – The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.
650		0	_91638 _aMotion pictures _xHistory
650		0	_92137 _aExperimental films _xHistory and criticism
650		0	_92138 _aMotion picture audiences
700	1		_4edt _92139 _aStrauven, Wanda
942			_2ddc _cBK