000			01920nam a2200229 i 4500
003			MIUC
005			20190701131017.0
008			160518t2007 enka|||| b||| 001 0 eng d
020			_a9781905814046
040			_aMIUC _beng _cMIUC
082	0		_a775
100	1		_91331 _aFreeman, Michael, _d1945-
245	1	4	_aThe photographer's eye : _bcomposition and design for better digital photos / _cMichael Freeman.
260			_aLexes : _bIlex, _c2007.
300			_a192 p. : _bill. col. ; _c26 cm.
504			_aIncludes bibliographical references and index.
505	1		_aCh. 1. The image frame -- Ch. 2. Design basics -- Ch. 3. Graphic & photographic elements -- Ch. 4. Composing with light and color -- Ch. 5. Intent -- Ch. 6 Process.
520			_aDesign is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs. Of course, digital photography has brought a new, exciting aspect to design first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures. The Photographers Eye shows how anyone can develop an eye for seeing great digital photos. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.
650		0	_92096 _aDigital photography
650		0	_91329 _aPhotography _xTechniques
942			_2ddc _cBK