| 000 | 01218nam a2200229 i 4500 | ||
|---|---|---|---|
| 003 | MIUC | ||
| 005 | 20180521133229.0 | ||
| 008 | 141127s2010 cau||||| |||| 001 | eng d | ||
| 020 | _a9781935247012 | ||
| 040 |
_aMIUC _beng _cMIUC |
||
| 082 | 0 | _a808.06 | |
| 100 | 1 |
_9235 _aSeger, Linda |
|
| 245 | 1 | 0 |
_aMaking a good script great / _cLinda Seger. |
| 250 | _a3rd ed. | ||
| 260 |
_aLos Angeles : _bSilman-James Press, _cc2010. |
||
| 300 |
_a252 p. ; _c22 cm. |
||
| 500 | _aIncludes index. | ||
| 505 | 0 | _aCh. 1. Gathering ideas -- Ch. 2. The three-act structure: why you need it and what to do with it -- Ch. 3. What do subplots do? -- Ch. 4. Act two: how to keep it moving? -- Ch. 5. Establishing a point of view -- Ch. 6. Creating the scene -- Ch. 7. Creating a cohesive script -- Ch. 8. Making it commercial -- Ch. 9. Balancing images and dialogue -- Ch. 10. From motivation to goal: finding your character's spine -- Ch. 11. Finding the conflict -- Ch. 12. Creating multidimensional and transformational characters -- Ch. 13. Character functions -- Ch. 14. A case study: writer Paul Haggis in his own words. | |
| 650 | 0 |
_9175 _aMotion picture authorship |
|
| 650 | 0 |
_9171 _aWriting skills |
|
| 942 |
_2ddc _cBK |
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