000			02195nam a2200241 i 4500
003			MIUC
005			20190620150643.0
008			151120s2000 maua 001 | eng
020			_a9780262522793
040			_aMIUC _beng _cMIUC
082	0		_a302.23
100	1		_91989 _aBolter, J. David, _d1951-
245	1	0	_aRemediation : _bunderstanding new media / _cJay David Bolter and Richard Grusin.
250			_a1st ed.
260			_aCambridge : _bMIT Press, _c2000.
300			_axi, 295 p. : _bill. b&w and col. ; _c24 cm.
504			_aIncludes bibliographical references and index.
505	0		_aPreface -- Introduction: The Double Logic of Remediation -- 1. Immediacy Hypermediacy, and Remediation -- 2. Mediation and Remediation -- 3. Networks of Remediation -- 4. Computer Games -- 5. Digital Photography -- 6. Photorealistic Graphics -- 7. Digital Art -- 8. Film -- 9. Virtual Reality -- 10. Mediated Spaces -- 11. Television -- 12. The World Wide Web -- 13. Ubiquitous Computing -- 14. Convergence -- 15. The Remediated Self -- 16. The Virtual Self -- 17. The Networked Self -- 18. Conclusion -- Glossary -- References -- Index.
520			_aMedia critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.
650		0	_9166 _aMass media _xTechnological innovations
700	1		_4aut _91990 _aGrusin, Richard A.
942			_2ddc _cBK