| 000 | 01339nam a2200241 i 4500 | ||
|---|---|---|---|
| 003 | MIUC | ||
| 005 | 20190620140958.0 | ||
| 008 | 151116s2008 enk |||| |||| 000 | eng d | ||
| 020 | _a9780141035789 | ||
| 040 |
_aMIUC _beng _cMIUC |
||
| 082 | 0 | _a77 | |
| 100 | 1 |
_91622 _aSontag, Susan, _d1933-2004 |
|
| 245 | 1 | 0 |
_aOn photography / _cSusan Sontag. |
| 250 | _a1st ed., reiss. | ||
| 260 |
_aLondon : _bPenguin Books, _c2008. |
||
| 300 |
_a207 p. ; _c18 cm. |
||
| 490 | 1 |
_aPenguin Modern Classics ; _v012. |
|
| 505 | 0 | _a1. In Plato's Cave -- 2. America, Seen Through Photographs, Darkly -- 3. Melancholy Objects -- 4. The Heroism of Vision -- 5. Photographic Evangels -- 6. The Image World -- 7. A brief Anthology of Quotations. | |
| 520 | _aSusan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. Here Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. | ||
| 650 | 0 |
_91594 _aPhotography, Artistic |
|
| 830 | 0 |
_9771 _aModern classics (Penguin Books) _v012 |
|
| 942 |
_2ddc _cBK |
||