000			02001nam a2200253 i 4500
003			MIUC
005			20180516120951.0
008			141126s1997 nyua|||| |||| 001 | eng d
020			_a9780060391683
040			_aMIUC _beng _cMIUC
082	0		_a808.06
100	1		_9174 _aMcKee, Robert, _d1941-
245	1	0	_aStory : _bsubstance, structure, style and the principles of screenwriting / _cRobert McKee.
260			_aNew York : _bItbooks, _cc1997.
300			_a466 p. : _bill. b&w ; _c24 cm.
500			_aIncludes filmography.
504			_aIncludes bibliographical references and index
505	0		_aPt. 1. The writer and art of story. Introduction. Ch. 1. The story problem -- Pt. 2. The element of story. Ch. 2. The structure sprectrum. Ch. 3. Structure and setting. Ch. 4. Structure and genre. Ch. 5. Structure and character. Ch. 6. Structure and meaning -- Pt. 3. The principles of story design. Ch. 7. The substance of story. Ch. 8. The inciting incident. Ch. 9. Act design. Ch. 10. Scene design. Ch. 11. Scene analysis. Ch. 12. Composition. Ch. 13. Crisis, Climax, resolution -- Pt. 4. The writer at work. Ch. 14. The principle of antagonism. Ch. 15. Exposition. Ch. 16. Problems and solutions. Ch. 17. Character. Ch. 18. The text. Ch. 19. A writer’s method -- Fade out -- Suggesting reading.
520			_aEmploying examples from more than one hundred films, reaches to identify the more elusive components that distinguish quality stories from the rest of the pack. Beginning with basic definitions the mysteries of standard three-act dramatic structures are unraveled. It also address atypical structures such as two-act or eight-act films, exposing the limitations of each genre, it spotlights the importance of theme, setting and atmosphere, and highlights the importance of character versus carachterization.
650		0	_9175 _aMotion picture authorship
650		0	_9176 _aMotion picture plays _xTechniques
650		0	_9171 _aWriting skills
942			_2ddc _cBK