| 000 | 01636nam a2200265 i 4500 | ||
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| 003 | MIUC | ||
| 005 | 20190405122235.0 | ||
| 008 | 141212s2014 cau||||| |||| 001 | eng d | ||
| 020 | _a9780939682065 | ||
| 040 |
_aMIUC _beng _cMIUC |
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| 041 | 1 |
_aeng _hfre |
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| 082 | 0 | _a306 | |
| 100 | 1 |
_91304 _aDebord, Guy, _d1931-1994 |
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| 245 | 1 | 4 |
_aThe society of the spectacle / _cGuy Debord ; translated and annotated by Ken Knabb. |
| 260 |
_aBerkeley (CA) : _bBureau of Public Secrets, _c2014. |
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| 300 |
_a150 p. : _c21 cm. |
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| 500 | _aIncludes index. | ||
| 505 | 0 | _aCh. 1. Separation perfected -- Ch. 2. The commodity as spectacle -- Ch. 3. Unity and division within appearances -- Ch. 4. The proletariat as subject and representation -- Ch. 5. Time and history -- Ch. 6. Spectacular time -- Ch. 7. Territorial management -- Ch. 8. Negation and consumption within culture -- Ch. 9. Ideology materialized. | |
| 520 | _aGuy Debord (1931-1994) was the founder and most influential member of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France. THE SOCIETY OF THE SPECTACLE, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical book of the twentieth century. This is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord's "tournaments". | ||
| 650 | 0 |
_91305 _aSocial classes |
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| 650 | 0 |
_91306 _aProletariat |
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| 650 | 0 |
_9115 _aSocial psychology |
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| 700 | 1 |
_91307 _aKnabb, Ken _4trl |
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| 942 |
_2ddc _cBK |
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