000 02835cam a2200301 i 4500
003 MIUC
005 20181128122954.0
008 131028s2014 nyuab b 001 0 eng
020 _a9781138547926
040 _aDLC
_beng
_cDLC
_erda
_dDLC
_dMIUC
082 0 _a809.3
100 1 _aGomel, Elana
_9720
245 1 0 _aNarrative space and time :
_brepresenting impossible topologies in literature /
_cElana Gomel.
250 _aFirst edition.
260 _aLondon ;
_aNew York :
_bRoutledge,
_c2014.
300 _a226 pages :
_billustrations, maps ;
_c24 cm.
490 0 _aRoutledge interdisciplinary perspectives on literature ;
_v25
504 _aIncludes bibliographical references (pages 209-211) and index.
505 0 _aIntroduction I: Space -- Introduction II: Time -- Ch. 1. Layering; Or the City of Two Tales -- Ch. 2. Flickering; Or Ghosts of Space -- Ch. 3. Embedding; Or the Pocket Universe -- Ch. 4. Wormholing; Or the Darkness Within -- Ch. 5. Sidestepping; Or Dimensions of Divinity -- Ch. 6. Collapsing; Or Urban Black Holes -- Postscript: "A King of Infinite Space".
520 _aSpace is a central topic in cultural and narrative theory today, although in most cases theory assumes Newtonian absolute space. However, the idea of a universal homogeneous space is now obsolete. Black holes, multiple dimensions, quantum entanglement, and spatio-temporal distortions of relativity have passed into culture at large. This book examines whether narrative can be used to represent these "impossible" spaces. Impossible topologies abound in ancient mythologies, from the Australian Aborigines’ "dream-time" to the multiple-layer universe of the Sumerians. More recently, from Alice’s adventures in Wonderland to contemporary science fiction’s obsession with black holes and quantum paradoxes, counter-intuitive spaces are a prominent feature of modern and postmodern narrative. With the rise and popularization of science fiction, the inventiveness and variety of impossible narrative spaces explodes. The author analyses the narrative techniques used to represent such spaces alongside their cultural significance. Each chapter connects narrative deformation of space with historical problematic of time, and demonstrates the cognitive and perceptual primacy of narrative in representing, imagining and apprehending new forms of space and time. This book offers a comprehensive analysis of the connection between narratology, cultural theory, science fiction, and studies of place.
650 0 _aSpace and time in literature
_9721
650 0 _aImaginary places in literature
_9724
650 0 _aPlace (Philosophy) in literature
_9722
650 0 _aNarration (Rhetoric)
_9725
650 0 _aLiterature
_xHistory and criticism
_9727
650 0 _aScience fiction
_xHistory and criticism
_9726
942 _2ddc
_cBK