000			02669nam a2200325 i 4500
003			MIUC
005			20200213082511.0
008			171023s2015 nyua 001 | eng
020			_a9780231173575
040			_aMIUC _beng _cMIUC
041	1		_aeng _hfre
082	0		_a791.4301
100	1		_93117 _aGaudreault, André
240	1	0	_aFin du cinema? _lEnglish
245	1	4	_aThe end of cinema? : _ba medium in crisis in the digital age / _cAndré Gaudreault and Philippe Marion ; translated by Timothy Barnard.
260			_aNew York : _bColumbia University Press, _c2015.
300			_ax, 240 p. : _bill. b&w ; _c22 cm.
336			_2rdacontent _atext
504			_aIncludes bibliographical references (pages 221-232) and index.
505	0		_aIntroduction: The end of cinema? -- Ch. 1. Cinema is not what it used to be -- Ch. 2. Digitalizing cinema from top to bottom -- Ch. 3. A brief phenomenology of 'digitalized' cinema -- Ch. 4. From shooting to filming: the Aufhebung effect -- Ch. 5. A medium is always born twice -- Ch. 6. New variants of the moving image -- Ch. 7. 'Animage' and the new visual culture -- Conclusion: A medium in crisis in the digital age.
520			_aIs a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
650		0	_91638 _aMotion pictures _xPhilosophy
650		0	_91638 _aMotion pictures _xTechnological innovations
650		0	_91638 _aMotion pictures _xSocial aspects
650		0	_9613 _aDigital media
650		0	_91638 _aMotion pictures
700	1		_4aut _93118 _aMarion, Philippe
700	1		_4trl _93119 _aBarnard, Timothy
942			_2ddc _cBK