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Pablo Picasso : 1881-1973 / Carsten-Peter Warncke ; edited by Ingo F. Walther.

By: Contributor(s): Material type: TextPublication details: Hong Kong, etc. : Taschen, c2007.Description: 2 vol. : ill. col. ; 26 cmISBN:
  • 9783822838143
Subject(s): DDC classification:
  • 759.06
Contents:
V. 1. The works 1890-1936 -- Ch. 1. The image of the artist -- Ch. 2. The making of the genius 1890-1898 -- Ch. 3. The art of youth 1898-1091 -- Ch. 4. The blue period 1901-1904 -- Ch. 5. The rose period 1904-1906 -- Ch. 6. In the laboratory of art 1906/07 -- Ch. 7. Analytical cubism 1907-1912 -- Ch. 8. Synthetic cubism 1912-1915 -- Ch. 9. The camera and the classicist 1916-1924 -- Ch. 10. A juggler with form 1925-1936 -- V. 2. The works 1937-1973 -- Ch. 11. War, art and "Guernica" 1937 -- Ch. 12. The Picasso style 1937-1943 -- Ch. 13. Politics and art 1943-1953 -- Ch. 14. The presence of the past 1954-1963 -- Ch. 15. The case of "Las Meninas" 1957 -- Ch. 16. The old savage 1963-1973 -- Ch. 17. The legend of the artist -- Appendices -- Pablo Picasso 1881-1973. A Chronology.
Summary: TASCHEN's 25th anniversary - Special edition! Picasso's entire oeuvre' from his earliest drawings to the master's very last painting Special bestseller price! The definitive introduction to the scope and range of Picasso's work. The Times, London "I wanted to be a painter", and I became Picasso, declared Pablo Picasso (1881-1973) in an apt survey of a triumphant career. He had good grounds for the confidence palpable in his statement, for in the history of 20th-century art, his name stands out over all the others. In Picasso's paintings, drawings, lithographs, ceramics, and sculptures, he was tirelessly inventive and innovative, exhibiting an aesthetic bravado that kept him one step ahead of his contemporaries. From subject matter to new forms and techniques to new media, Picasso got there first. The Spanish artist's enormous output, from the eight-year-old's beginnings to the late work of a man of ninety-one, is surely one of the most diverse and creatively energetic in the whole history of art, and it is no exaggeration to see him as the genius of the century.
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Holdings
Item type Current library Call number Status Notes Barcode
Books Marbella International University Centre Library 759.06 WAR pab v.1 (Browse shelf(Opens below)) Available V. 1 11287
Books Marbella International University Centre Library 759.06 WAR pab v.2 (Browse shelf(Opens below)) Available V. 2 11288

V. 1. The works 1890-1936 --
Ch. 1. The image of the artist --
Ch. 2. The making of the genius 1890-1898 --
Ch. 3. The art of youth 1898-1091 --
Ch. 4. The blue period 1901-1904 --
Ch. 5. The rose period 1904-1906 --
Ch. 6. In the laboratory of art 1906/07 --
Ch. 7. Analytical cubism 1907-1912 --
Ch. 8. Synthetic cubism 1912-1915 --
Ch. 9. The camera and the classicist 1916-1924 --
Ch. 10. A juggler with form 1925-1936 --
V. 2. The works 1937-1973 --
Ch. 11. War, art and "Guernica" 1937 --
Ch. 12. The Picasso style 1937-1943 --
Ch. 13. Politics and art 1943-1953 --
Ch. 14. The presence of the past 1954-1963 --
Ch. 15. The case of "Las Meninas" 1957 --
Ch. 16. The old savage 1963-1973 --
Ch. 17. The legend of the artist --
Appendices --
Pablo Picasso 1881-1973. A Chronology.

TASCHEN's 25th anniversary - Special edition! Picasso's entire oeuvre' from his earliest drawings to the master's very last painting Special bestseller price! The definitive introduction to the scope and range of Picasso's work. The Times, London "I wanted to be a painter", and I became Picasso, declared Pablo Picasso (1881-1973) in an apt survey of a triumphant career. He had good grounds for the confidence palpable in his statement, for in the history of 20th-century art, his name stands out over all the others. In Picasso's paintings, drawings, lithographs, ceramics, and sculptures, he was tirelessly inventive and innovative, exhibiting an aesthetic bravado that kept him one step ahead of his contemporaries. From subject matter to new forms and techniques to new media, Picasso got there first. The Spanish artist's enormous output, from the eight-year-old's beginnings to the late work of a man of ninety-one, is surely one of the most diverse and creatively energetic in the whole history of art, and it is no exaggeration to see him as the genius of the century.

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