MARC details
| 000 -LEADER |
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| fixed length control field |
04420nam a2200265 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
MIUC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190704103809.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
160525t2006 ne b 001 0 eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789053569443 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9053569448 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MIUC |
| Language of cataloging |
eng |
| Transcribing agency |
MIUC |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
791.4309 |
| 952 ## - Items |
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| Itemnumber |
1148 |
| 245 04 - TITLE STATEMENT |
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| Title |
The cinema of attractions reloaded / |
| Statement of responsibility, etc. |
edited by Wanda Strauven. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Amsterdam : |
| Name of publisher, distributor, etc. |
Amsterdam University Press, |
| Date of publication, distribution, etc. |
2006. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
460 p. : |
| Dimensions |
25 cm. |
| 490 0# - SERIES STATEMENT |
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| Series statement |
Film culture in transition |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical reference and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Introduction to an Attractive Concept / |
| Statement of responsibility |
Wanda Strauven -- |
| Title |
Theory formation ["The Cinema of Attractions"] -- |
| -- |
Attractions: How They Came into the World / |
| Statement of responsibility |
Tom Gunning -- |
| Title |
A Rational Reconstruction of "The Cinema of Attractions" / |
| Statement of responsibility |
Warren Buckland -- |
| Title |
The Cinema of Attractions as Dispositif / |
| Statement of responsibility |
Frank Kessler -- |
| Title |
Spectacle, Attractions and Visual Pleasure / |
| Statement of responsibility |
Scott Bukatman -- |
| Title |
Attraction theories and terminologies ["Early Film"] -- |
| -- |
From "Primitive Cinema" to "Kine-Attractography" / |
| Statement of responsibility |
André Gaudreault -- |
| Title |
From "Primitive Cinema" to "Marvelous" / |
| Statement of responsibility |
Wanda Strauven -- |
| Title |
The Attraction of the Intelligent Eye: Obsessions with the Vision Machine in Early Film Theories / |
| Statement of responsibility |
Viva Paci -- |
| Title |
Rhythmic Bodies/Movies: Dance as Attraction in Early Film Culture / |
| Statement of responsibility |
Laurent Guido -- |
| Title |
Audiences and attractions ["Its Spectator"] -- |
| -- |
A Cinema of Contemplation, A Cinema of Discernment: Spectatorship, Intertextuality and Attractions in the 1890s / |
| Statement of responsibility |
Charles Musser -- |
| Title |
The Lecturer and the Attraction / |
| Statement of responsibility |
Germain Lacasse -- |
| Title |
Integrated Attractions: Style and Spectatorship in Transitional Cinema / |
| Statement of responsibility |
Charlie Keil -- |
| Title |
Discipline through Diegesis: The Rube Film between "Attraction" and "Narrative Integration" / |
| Statement of responsibility |
Thomas Elsaesser -- |
| Title |
Attraction practices through history [“The Avant-Garde": section 1] -- |
| -- |
Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series / |
| Statement of responsibility |
Nicolas Dulac and André Gaudreault -- |
| Title |
Lumière, the Train and the Avant-Garde / |
| Statement of responsibility |
Christa Blümlinger. |
| Title |
Programming Attractions: Avant-Garde Exhibition Practice in the 1920s and 1930s / |
| Statement of responsibility |
Malte Hagener -- |
| Title |
The Associational Attractions of the Musical / |
| Statement of responsibility |
Pierre-Emmanuel Jaques -- |
| Title |
Digital media and (un)tamed attractions ["The Avant-Garde": section 2] -- |
| -- |
Chez le Photographe c'est chez moi: Relationship of Actor and Filmed Subject to Camera in Early Film and Virtual Reality Spaces / |
| Statement of responsibility |
Alison McMahan -- |
| Title |
The Hollywood Cobweb: New Laws of Attraction / |
| Statement of responsibility |
Dick Tomasovic -- |
| Title |
Figures of Sensation: Between Still and Moving Images / |
| Statement of responsibility |
Eivind Rossaak. |
| Title |
"Cutting to the Quick": Techne, Physis, and Poiesis and the Attractions of Slow Motion / |
| Statement of responsibility |
Vivian Sobchack -- |
| Title |
Dossier -- |
| -- |
Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy / |
| Statement of responsibility |
Donald Crafton -- |
| Title |
Early Cinema as a Challenge to Film History / |
| Statement of responsibility |
Andre Gaudreault and Tom Gunning -- |
| Title |
The Cinema of Attraction[s]: Early Film, Its Spectator and the Avant-Garde / |
| Statement of responsibility |
Tom Gunning -- |
| Title |
Rethinking Early Cinema: Cinema of Attractions and Narrativity / |
| Statement of responsibility |
Charles Musser. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase "cinema of attractions" to describe the essential qualities of films made in the medium's earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies.<br/>The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair's debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games.<br/>With essays by an impressive collection of international film scholars – and featuring contributions by Gunning and Gaudreault as well – The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| 9 (RLIN) |
1638 |
| Topical term or geographic name entry element |
Motion pictures |
| General subdivision |
History |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
2137 |
| Topical term or geographic name entry element |
Experimental films |
| General subdivision |
History and criticism |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
2138 |
| Topical term or geographic name entry element |
Motion picture audiences |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| 9 (RLIN) |
2139 |
| Personal name |
Strauven, Wanda |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
