Inside the room : (Record no. 53)

MARC details
000 -LEADER
fixed length control field 02221nam a2200229 i 4500
003 - CONTROL NUMBER IDENTIFIER
control field MIUC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20200203095402.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 141126s2013 nyu||||| |||| 001 | eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781592408115
040 ## - CATALOGING SOURCE
Original cataloging agency MIUC
Language of cataloging eng
Transcribing agency MIUC
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.06
952 ## - Items
Itemnumber 54
245 00 - TITLE STATEMENT
Title Inside the room :
Remainder of title writing television with the pros at UCLA Extension Writer's Program /
Statement of responsibility, etc. edited by Linda Venis.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Gotham Books,
Date of publication, distribution, etc. c2013.
300 ## - PHYSICAL DESCRIPTION
Extent 256 p. ;
Dimensions 23 cm.
500 ## - GENERAL NOTE
General note Includes index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction / by Linda Venis --<br/>Pt. 1. Writing your one-hour television drama specs and pilots.<br/>1. Writing the on-air one-hour drama spec: the story and outlines / by Joel Anderson Thompson.<br/>2. Writing the on-air one-hour drama spec: the script / by Charlie Craig.<br/>3. Writing the one-hour drama pilot / by Richard Manning.<br/>4. Revising on-hour drama specs and pilots --<br/>Pt. 2. Writing your half-hour television comedy specs and pilots.<br/>5. Writing the on-air half-hour comedy spec: the story and outline / by Julie Chambers and David Chambers.<br/>6. Writing the on-air half-hour comedy spec: the script / by Julie Chambers and David Chambers.<br/>7. Writing the half-hour comedy pilot / by Phil Kellard.<br/>8. Sitcom master class: creating comedy through character / by David Isaacs --<br/>Pt. 3. Being a professional in the television business.<br/>9. Launching and sustaining a television writing career / by Alison Lea Bingeman.<br/>10. The TV year / by Richard Hatem.
520 ## - SUMMARY, ETC.
Summary, etc. What does it take to go from being a fan to professional television writer? For the first time outside of the UCLA Extension Writers' Programme classrooms, TV writers whose many produced credits include The Simpsons, House M.D., and Pretty Little Liars take aspiring writers through the process of writing their first spec script for an on-air series, creating one-hour drama and sitcom pilots that break out from the pack, and revising scripts to meet pro standards. Learn how to launch and sustain a writing career and get a rare, intimate look inside the yearlong process of creating, selling, and getting a TV show made.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
9 (RLIN) 181
Topical term or geographic name entry element Television authorship
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Authorship
9 (RLIN) 172
700 1# - ADDED ENTRY--PERSONAL NAME
Relator code edt
9 (RLIN) 182
Personal name Venis, Linda
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Marbella International University Centre Marbella International University Centre Library 16/05/2018   808.06 INS ins 16/05/2018 16/05/2018 Books


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