MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03150nam a2200265 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
MIUC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190703125200.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150205s2004 enka|||| |||| 001 | eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781903364857 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
MIUC |
| Language of cataloging |
eng |
| Transcribing agency |
MIUC |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43 |
| 952 ## - Items |
|---|
| Itemnumber |
479 |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The cinema of David Lynch : |
| Remainder of title |
American dreams, nightmare visions / |
| Statement of responsibility, etc. |
edited by Erica Sheen and Annette Davison. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
London ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Wallflower Press, |
| Date of publication, distribution, etc. |
c2004. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
207 p. : |
| Other physical details |
ill. b&w ; |
| Dimensions |
24 cm. |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Directors' cuts |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Introduction: American dreams, nightmare visions / |
| Statement of responsibility |
Erica Sheen, Annette Davison -- |
| Miscellaneous information |
Ch. 1. |
| Title |
The essential evil in/of Eraserhead (or, Lynch to the contrary) / |
| Statement of responsibility |
Steven Jay Schneider -- |
| Miscellaneous information |
Ch. 2. |
| Title |
David Lynch and the mug shot: facework in The Elephant Man and The Straight Story / |
| Statement of responsibility |
Joe Kember -- |
| Miscellaneous information |
Ch. 3. |
| Title |
Going into strange worlds: David Lynch, Dune and New Hollywood / |
| Statement of responsibility |
Erica Sheen -- |
| Miscellaneous information |
Ch. 4. |
| Title |
Mysteries of love: Lynch's Blue Velvet/Freud's Wolf-Man / |
| Statement of responsibility |
Sam Ishii-Gonzalez -- |
| Miscellaneous information |
Ch. 5. |
| Title |
Blue Velvet underground: David Lynch's post-punk poetics / |
| Statement of responsibility |
Nicholas Rombes -- |
| Miscellaneous information |
Ch. 6. |
| Title |
Laura and Twin Peaks: postmodern parody and the musical reconstruction of the absent female fatale / |
| Statement of responsibility |
John Richardson -- |
| Miscellaneous information |
Ch. 7. |
| Title |
Twin Peaks, weak language and the resurrection of affect / |
| Statement of responsibility |
Sheli Ayers -- |
| Miscellaneous information |
Ch. 8. |
| Title |
"In dreams...": gender, sexuality and violence in the cinema of David Lynnch / |
| Statement of responsibility |
Jana Evans Braziel -- |
| Miscellaneous information |
Ch. 9. |
| Title |
"Up in flames": love, control and collaboration in the soundtrack to Wild at Heart / |
| Statement of responsibility |
Annette Davison -- |
| Miscellaneous information |
Ch. 10. |
| Title |
Weird or loopy? specular spaces, feedback and artifice in the Lost Highway's aesthetics of sensation / |
| Statement of responsibility |
Greg Hainge. -- |
| Miscellaneous information |
Ch. 11. |
| Title |
Beyond boundaries: David Lynch's Lost Highway / |
| Statement of responsibility |
Anne Jerslev -- |
| Miscellaneous information |
Ch. 12. |
| Title |
"All I need is the girl": the life and death of creativity in Mullholand Drive / |
| Statement of responsibility |
Martha P. Nochimson. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
David Lynch is an anomaly. A pioneer of the American 'indie' aesthetic, he also works in Hollywood and for network TV. He has created some of the most disturbing images in contemporary cinema, and produced startlingly innovative work in sound. If the consistency of his 'vision' suggests he might be approached as an auteur, defining that vision raises many questions. The essays in this collection push toward a fuller account of the cultural and technological contexts within which his works developed during the 1980s and 1990s, and of his intense engagement with the creative and working practices of the industry. They offer an up-to-date range of theoretically divergent readings that demonstrates not only the difficulty of locating stable interpretative positions for Lynch's work, but also the pleasure of finding new ways of thinking about it. Films discussed include Blue Velvet, Wild at Heart, The Straight Story, and Mulholland Drive. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| 9 (RLIN) |
1615 |
| Personal name |
Lynch, David K., |
| Dates associated with a name |
1946- |
| General subdivision |
Criticism and interpretation |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion pictures |
| 9 (RLIN) |
1638 |
| Geographic subdivision |
United States |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| 9 (RLIN) |
1612 |
| Personal name |
Sheen, Erica |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| 9 (RLIN) |
1613 |
| Personal name |
Davison, Annette, |
| Dates associated with a name |
1971- |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| 9 (RLIN) |
1614 |
| Uniform title |
Directors' cuts |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
