The end of cinema? : (Record no. 1502)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02669nam a2200325 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MIUC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200213082511.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 171023s2015 nyua 001 | eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780231173575 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MIUC |
| Language of cataloging | eng |
| Transcribing agency | MIUC |
| 041 1# - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| Language code of original | fre |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4301 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| 9 (RLIN) | 3117 |
| Personal name | Gaudreault, André |
| 952 ## - Items | |
| Itemnumber | 1826 |
| 240 10 - UNIFORM TITLE | |
| Uniform title | Fin du cinema? |
| Language of a work | English |
| 245 14 - TITLE STATEMENT | |
| Title | The end of cinema? : |
| Remainder of title | a medium in crisis in the digital age / |
| Statement of responsibility, etc. | André Gaudreault and Philippe Marion ; translated by Timothy Barnard. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | New York : |
| Name of publisher, distributor, etc. | Columbia University Press, |
| Date of publication, distribution, etc. | 2015. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | x, 240 p. : |
| Other physical details | ill. b&w ; |
| Dimensions | 22 cm. |
| 336 ## - CONTENT TYPE | |
| Source | rdacontent |
| Content type term | text |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc. note | Includes bibliographical references (pages 221-232) and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction: The end of cinema? -- <br/>Ch. 1. Cinema is not what it used to be -- <br/>Ch. 2. Digitalizing cinema from top to bottom -- <br/>Ch. 3. A brief phenomenology of 'digitalized' cinema -- <br/>Ch. 4. From shooting to filming: the Aufhebung effect -- <br/>Ch. 5. A medium is always born twice -- <br/>Ch. 6. New variants of the moving image -- <br/>Ch. 7. 'Animage' and the new visual culture -- <br/>Conclusion: A medium in crisis in the digital age. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.<br/><br/>The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 1638 |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | Philosophy |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 1638 |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | Technological innovations |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 1638 |
| Topical term or geographic name entry element | Motion pictures |
| General subdivision | Social aspects |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 613 |
| Topical term or geographic name entry element | Digital media |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 1638 |
| Topical term or geographic name entry element | Motion pictures |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Relator code | aut |
| 9 (RLIN) | 3118 |
| Personal name | Marion, Philippe |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Relator code | trl |
| 9 (RLIN) | 3119 |
| Personal name | Barnard, Timothy |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Koha item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Total Checkouts | Full call number | Date last seen | Date last checked out | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Marbella International University Centre | Marbella International University Centre | Library | 22/10/2018 | 1 | 791.4301 GAU end | 14/05/2019 | 30/04/2019 | 22/10/2018 | Books |