MARC details
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05675nam a2200277 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
MIUC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20200323144709.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
141029s2015 nyua 000 | eng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781438454382 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MIUC |
| Language of cataloging |
eng |
| Transcribing agency |
MIUC |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
305.42 |
| 952 ## - Items |
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| Itemnumber |
1581 |
| 245 00 - TITLE STATEMENT |
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| Title |
This bridge called my back : |
| Remainder of title |
writings by radical women of color / |
| Statement of responsibility, etc. |
edited by Cherríe Moraga and Gloria Anzaldúa. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Fourth edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Albany (NY) : |
| Name of publisher, distributor, etc. |
SUNY Press, |
| Date of publication, distribution, etc. |
2015. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xlvii, 286 p. : |
| Other physical details |
ill. b&w ; |
| Dimensions |
24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Artwork -- |
| -- |
Catching fire: preface to the Fourth Edition / |
| Statement of responsibility |
Cherríe Moraga. |
| Title |
Acts of healing / |
| Statement of responsibility |
Gloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust. |
| Title |
Foreword to the First Edition, 1981 / |
| Statement of responsibility |
Toni Cade Bambara. |
| Title |
The bridge poem / |
| Statement of responsibility |
Kate Rushin -- |
| Title |
La jornada: preface, 1981 / |
| Statement of responsibility |
Cherríe Moraga. |
| Title |
Introduction, 1981 / |
| Statement of responsibility |
Cherríe Moraga and Gloria Anzaldúa -- |
| Miscellaneous information |
Pt. 1. |
| Title |
Children Passing in the Streets: The Roots of Our Radicalism -- |
| -- |
When I was growing up / |
| Statement of responsibility |
Nellie Wong. |
| Title |
On not bein / |
| Statement of responsibility |
Mary Hope Whitehead Lee -- |
| Title |
For the color of my mother / |
| Statement of responsibility |
Cherríe Moraga -- |
| Title |
I am what I am / |
| Statement of responsibility |
Rosario Morales -- |
| Title |
Dreams of violence / |
| Statement of responsibility |
Naomi Littlebear Morena -- |
| Title |
He saw / |
| Statement of responsibility |
Chrystos -- |
| Miscellaneous information |
Pt. 2. |
| Title |
Entering the Lives of Others: Theory in the Flesh -- |
| -- |
Wonder woman / |
| Statement of responsibility |
Genny Lim -- |
| Title |
La güera / |
| Statement of responsibility |
Cherríe Moraga. |
| Title |
Invisibility is an unnatural disaster: reflections of an Asian American woman / |
| Statement of responsibility |
Mitsuye Yamada -- |
| Title |
It's in my blood, my face-my mother's voice, the way I sweat / |
| Statement of responsibility |
Anita Valerio -- |
| Title |
"Gee you don't seem like an Indian from the reservation" / |
| Statement of responsibility |
Barbara Cameron -- |
| Title |
"...And even Fidel can't change that!" / |
| Statement of responsibility |
Aurora Levins Morales -- |
| Title |
I walk in the history of my people / |
| Statement of responsibility |
Chrystos -- |
| Miscellaneous information |
Pt. 3.<br/> |
| Title |
And When You Leave, Take Your Pictures With You: Racism in the Women's Movement -- |
| -- |
And when you leave, take your pictures with you / |
| Statement of responsibility |
Jo Carillo -- |
| Title |
Beyond the cliffs of Abiquiu / |
| Statement of responsibility |
Jo Carillo -- |
| Title |
I don't understand those who have turned away from me / |
| Statement of responsibility |
Chrystos -- |
| Title |
Asian Pacific women and feminism / |
| Statement of responsibility |
Mitsuye Yamada -- |
| Title |
"But I know you, American woman" / |
| Statement of responsibility |
Judit Moschkovich -- |
| Title |
The Black back-ups / |
| Statement of responsibility |
Kate Rushin -- |
| Title |
The pathology of racism: a conversation with third world wimmin / |
| Statement of responsibility |
Doris Davenport -- |
| Title |
We're all in the same boat / |
| Statement of responsibility |
Rosario Morales -- |
| Title |
An open letter to Mary Daly / |
| Statement of responsibility |
Audre Lorde -- |
| Title |
The master's tools will never dismantle the master's house / |
| Statement of responsibility |
Audre Lorde -- |
| Miscellaneous information |
Pt. 4. |
| Title |
Between the Lines: On Culture, Class, and Homophobia -- |
| -- |
The other heritage / |
| Statement of responsibility |
Rosario Morales -- |
| Title |
The tired poem: last letter from a typical (unemployed) Black professional woman / |
| Statement of responsibility |
Kate Rushin -- |
| Title |
To be continued ... / |
| Statement of responsibility |
Kate Rushin -- |
| Title |
Across the kitchen table: a sister-to-sister dialogue / |
| Statement of responsibility |
Barbara Smith and Beverly Smith -- |
| Title |
Lesbianism: an act of resistance / |
| Statement of responsibility |
Cheryl Clarke -- |
| Title |
Lowriding through the women's movement / |
| Statement of responsibility |
Barbara Noda -- |
| Title |
Letter to ma / |
| Statement of responsibility |
Merle Woo -- |
| Title |
I come with no illusions / |
| Statement of responsibility |
Mirtha N. Quintanales. |
| Title |
I paid very hard for my immigrant ignorance / |
| Statement of responsibility |
Mirtha N. Quintanales -- |
| Title |
Earth-lover, survivor, musician / |
| Statement of responsibility |
Naomi Littlebear Morena -- |
| Miscellaneous information |
Pt. 5. |
| Title |
Speaking in Tongues: The Third World Woman Writer -- |
| -- |
Speaking in tongues: a letter to third world women writers / |
| Statement of responsibility |
Gloria Anzaldúa. |
| Title |
Millicent Fredericks / |
| Statement of responsibility |
Gabrielle Daniels -- |
| Title |
In Search of the self as hero: confetti of voices on New Year's night, a letter to myself / |
| Statement of responsibility |
Nellie Wong -- |
| Title |
Chicana's feminist literature: a re-vision through Malintzin/or Malintzin putting flesh back on the object / |
| Statement of responsibility |
Norma Alarcón -- |
| Title |
Ceremony for completing a poetry reading / |
| Statement of responsibility |
Chrystos -- |
| Miscellaneous information |
Pt. 6. |
| Title |
El Mundo Zurdo: The Vision -- |
| -- |
Give me back / |
| Statement of responsibility |
Chrystos -- |
| Title |
La prieta / |
| Statement of responsibility |
Gloria Anzaldúa |
| Title |
A Black feminist statement / |
| Statement of responsibility |
Combahee River Collective |
| Title |
The welder / |
| Statement of responsibility |
Cherríe Moraga |
| Title |
O.K. momma, who the hell am I? an interview with Luisah Teish / |
| Statement of responsibility |
Gloria Anzaldúa -- |
| Title |
Brownness / |
| Statement of responsibility |
Andrea Canaan -- |
| Title |
Revolution: it's not neat or pretty or quick / |
| Statement of responsibility |
Pat Parker -- |
| Title |
No rock scorns me as whore / |
| Statement of responsibility |
Chrystos -- |
| Title |
Appendix. Afterword: On the Fourth Edition / |
| Statement of responsibility |
Cherríe Moraga -- |
| Title |
Foreword to the Second Edition, 1983 / |
| Statement of responsibility |
Gloria Anzaldúa -- |
| Title |
Refugees of a world on fire: Foreword to the Second Edition, 1983 / |
| Statement of responsibility |
Cherríe Moraga -- |
| Title |
Counsels from the firing ... past, present, future: Foreword to the Third Edition, 2001 / |
| Statement of responsibility |
Gloria Anzaldúa. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, "the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation."<br/><br/>Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| 9 (RLIN) |
972 |
| Topical term or geographic name entry element |
Feminism |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
814 |
| Topical term or geographic name entry element |
Women |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
3590 |
| Topical term or geographic name entry element |
Minority women |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| 9 (RLIN) |
1967 |
| Topical term or geographic name entry element |
Radicalism |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| 9 (RLIN) |
3606 |
| Personal name |
Moraga, Cherríe |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| 9 (RLIN) |
3607 |
| Personal name |
Anzaldúa, Gloria |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
